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L
Posted By
leopr
Jun 7, 2005
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207
Replies
5
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Closed
Why? my pictures that I see on my PC do not are the same imagen when are print on Lab.

Some peapoles say to me about Adobe Gamma and I found this program and meke all specification that in this document explain.
Contrasst Hi and low brightness low, Photoshop well configured with the same parameters always.

The camera normally put some yelow in the pictures but with WB PRE and can get the best result that I think becouse the rest of this camera i not discover yet.

Please Help.

best regards
I am sorry for my english.

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L
leopr
Jun 7, 2005
PS: I will like to know if is posible work with some pictures in photoshop at the samen time.
Example 10 pictures 8×10 I want to give the more contrasst and more red can i do that for all 10 pictures or i have to do that one by one.
K
KatWoman
Jun 7, 2005
record an action and use automate batch
use the palette called actions, make a new action by clicking the icon at bottom, name it what you like, do the steps for correcting on one of the images, then hit stop recording.

you can use the action on all open files or on a folder of pictures, file>automate>batch.

If your prints look bad from the LAB could be a number of issues, all the color management in your own comp will not match it to theirs. Ask them for a test file and a test print then look at your monitor and adjust to their images. They may even have a color profile for you to load for their type of printer.

"leopr" wrote in message
PS: I will like to know if is posible work with some pictures in photoshop at the samen time.
Example 10 pictures 8×10 I want to give the more contrasst and more red can i do that for all 10 pictures or i have to do that one by one.
L
leopr
Jun 7, 2005
Thanks you

leo
N
noone
Jun 7, 2005
In article <66mpe.102393$>,
says…
record an action and use automate batch
use the palette called actions, make a new action by clicking the icon at bottom, name it what you like, do the steps for correcting on one of the images, then hit stop recording.

you can use the action on all open files or on a folder of pictures, file>automate>batch.

If your prints look bad from the LAB could be a number of issues, all the color management in your own comp will not match it to theirs. Ask them for a test file and a test print then look at your monitor and adjust to their images. They may even have a color profile for you to load for their type of printer.

"leopr" wrote in message
PS: I will like to know if is posible work with some pictures in photoshop at the samen time.
Example 10 pictures 8×10 I want to give the more contrasst and more red can i do that for all 10 pictures or i have to do that one by one.

One quick aside on the batch processing by way of an Action. You might want to group similar pictures, or at least pictures to which you will make similar corrections, into separate folders. Otherwise, the same correction will be made to all, and it might not be correct. I’ll do this for my "happy snaps," but still open and work on each commercial image, as each is unique and requires special and separate handling.

The idea of getting a "profile" from the lab and then making a setup for it with your system is a good one. Just remember that if you change labs, you might have to do this again.

Good luck,
Hunt
O
Odysseus
Jun 8, 2005
In article , (Hunt)
wrote:

<snip>
"leopr" wrote in message
PS: I will like to know if is posible work with some pictures in photoshop at the samen time.
Example 10 pictures 8×10 I want to give the more contrasst and more red can i do that for all 10 pictures or i have to do that one by one.

One quick aside on the batch processing by way of an Action. You might want to
group similar pictures, or at least pictures to which you will make similar corrections, into separate folders. Otherwise, the same correction will be made to all, and it might not be correct. I’ll do this for my "happy snaps," but still open and work on each commercial image, as each is unique and requires special and separate handling.

An intermediate approach is to pick an ‘average’ image from the group, make the necessary adjustments, and then, before closing the dialog, save the Levels or Curves settings you used. When adjusting the other images, load the saved settings as a starting point before fine-tuning the adjustment to suit that particular image. This can save a few steps, anyway …

Another, similar technique is to use Adjustment Layers for the corrections; if they don’t include masks they can be copied from one image into another (regardless of dimensions) and then tweaked as required.


Odysseus

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