chroma-key paper vs cloth

MH
Posted By
Miss Heather
Jun 30, 2004
Views
494
Replies
4
Status
Closed
Hi,
I have a portrait studio. I’ve been cutting people out of a white background using Knockout II with supurb results. The problem is the time it takes, sometimes half an hour per pose to get it right.

I’m thinking of converting to blue screen. My search has turned up a number of dead links though which makes me wonder if this is the way to go. If anyone has any advise/warnings/encouragement I’m all ears. I have demo software (Primatte and Ultimatte) which is promising using demo photos but I would like to try them on my own blue backgrounds with my own lights before purchasing.

Which is better for backgrounds, blue paper which would be stiffer and would curve into the floor or cloth which is washable? What is the advantage for foam back vs normal cloth, is it stiff like paper? Hard to wash?

I also see special blue paint for sale, again I ask for any comments/advise.

And as long as I’m asking a million questions, software preferences anyone?

PS// For Hecate: I bought Katerin Eismann R&R 2nd edition as suggested last time I posted here. Most of it doesn’t apply to what I do but the remove wrinkle tutorial has actually earned me a kiss on the cheek! Kind of a handsome old fellow at that! Thanks.

Master Retouching Hair

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GP
Gene Palmiter
Jun 30, 2004
There is nothing special about the colors….If it were me and I had the studio space I would paint a wall. That way you can wash or repaint. I work in my dining room so I choose a portable system. I went with green as photos are more likely to have blues in them….but any color will work. Oh…and any flat paint will do ….don’t pay more for something "special".

"Miss Heather" wrote in message
Hi,
I have a portrait studio. I’ve been cutting people out of a white background using Knockout II with supurb results. The problem is the time it takes, sometimes half an hour per pose to get it right.
I’m thinking of converting to blue screen. My search has turned up a number of dead links though which makes me wonder if this is the way to go. If anyone has any advise/warnings/encouragement I’m all ears. I have demo software (Primatte and Ultimatte) which is promising using demo photos but I would like to try them on my own blue backgrounds with my own lights before purchasing.

Which is better for backgrounds, blue paper which would be stiffer and would curve into the floor or cloth which is washable? What is the advantage for foam back vs normal cloth, is it stiff like paper? Hard to wash?

I also see special blue paint for sale, again I ask for any comments/advise.

And as long as I’m asking a million questions, software preferences anyone?

PS// For Hecate: I bought Katerin Eismann R&R 2nd edition as suggested last time I posted here. Most of it doesn’t apply to what I do but the remove wrinkle tutorial has actually earned me a kiss on the cheek! Kind of a handsome old fellow at that! Thanks.
N
noone
Jun 30, 2004
In article , says…
Hi,
I have a portrait studio. I’ve been cutting people out of a white background using Knockout II with supurb results. The problem is the time it takes, sometimes half an hour per pose to get it right.
I’m thinking of converting to blue screen. My search has turned up a number of dead links though which makes me wonder if this is the way to go. If anyone has any advise/warnings/encouragement I’m all ears. I have demo software (Primatte and Ultimatte) which is promising using demo photos but I would like to try them on my own blue backgrounds with my own lights before purchasing.

Which is better for backgrounds, blue paper which would be stiffer and would curve into the floor or cloth which is washable? What is the advantage for foam back vs normal cloth, is it stiff like paper? Hard to wash?

I also see special blue paint for sale, again I ask for any comments/advise.

And as long as I’m asking a million questions, software preferences anyone?

PS// For Hecate: I bought Katerin Eismann R&R 2nd edition as suggested last time I posted here. Most of it doesn’t apply to what I do but the remove wrinkle tutorial has actually earned me a kiss on the cheek! Kind of a handsome old fellow at that! Thanks.

Portrait work is not my expertise, but I receive a magazine called "Studio Design" (I think), that features a lot of wedding/portrait work and articles. Recently, I’ve seen several blue screen (green is probably more often used today) for just what you intend. I don’t have a copy lying about, but I’ll be you can find reference and maybe links to it from the PPofA (Professional Photographers of America) Web site. If I find an old copy, I’ll get you the correct and exact name, plus will look for articles/ads for blue screen shooting. Being in advertising, I just thumb through these and then off to recylce usually. Sorry, in this case, however.

Hunt
N
noone
Jun 30, 2004
In article <y4xEc.22426$
..net says…
There is nothing special about the colors….If it were me and I had the studio space I would paint a wall. That way you can wash or repaint. I work in my dining room so I choose a portable system. I went with green as photos are more likely to have blues in them….but any color will work. Oh…and any flat paint will do ….don’t pay more for something "special".

[SNIP]

Actually the choice of color is specific for one reason – not usually found in nature. The cinema industry, then TV choose the bright blue color originally, but it was found far too often. How many times does the weatherperson’s plaid sport coat have parts of the weather map produced in it? Some years back, an extremely bright and nauseous green was chosen, to eliminate the blue bleed- through. Now, if this person wants to get a bright green seamless, I’ll be that Savage makes one.

Hunt
H
Hecate
Jul 1, 2004
On Wed, 30 Jun 2004 05:01:31 GMT, Miss Heather
wrote:

PS// For Hecate: I bought Katerin Eismann R&R 2nd edition as suggested last time I posted here. Most of it doesn’t apply to what I do but the remove wrinkle tutorial has actually earned me a kiss on the cheek! Kind of a handsome old fellow at that! Thanks.

Glad you found some use for it 😉 Actually, I found that there is a lot in that book, in terms of techniques, which can be applied to far more than just R&R. 🙂



Hecate

veni, vidi, reliqui

Master Retouching Hair

Learn how to rescue details, remove flyaways, add volume, and enhance the definition of hair in any photo. We break down every tool and technique in Photoshop to get picture-perfect hair, every time.

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