rdoc wrote:
Joel wrote:
rdoc wrote:
I have a portrait of a female and her face has a large highlight on it. I have tried to cover it and remove the highlight with the spot healing tool and I am not having any luck. Can you suggest a way that I can darken the highlight on her face. I am using Photoshop CS2 and Windows XP. I have also tried selecting it and using levels to darken it which works a little but not good. I also tried while it was selected to improve the area with Hue and Saturation and that works a little but not well.
Any help with this would be appreciated. Thanks
Many different ways but sometime it just need the right technique to solve the problem. Here are few for you to try
– Clone Tool at low opacity.
– Healing Patch/Brush may work if doing it right, or combination with other’s
– Using layer either to paint, blend etc..
– Using layer, making a dupe of the original and adjust one darker or whatever technique to blend the hi-lite (meaning doesn’t have to be 100% perfect), then using MASK with opacity’s to blend/combine 2 layers together. This is the same technique to deal with overexposured, or shadow
causes by either the sun or flash.
The clone tool left me with a very blotchy result.
Healing Patch Brush was a complete loser for me.
The burn tool gave me the best results which I feel it is ok but not great. I worked on it for over 4 hours. Open for suggestions and criticisms please.
If you’re not entirely happy with the results you’re getting. There’s one other thing you could try.
It sounds like you’ve maybe found a job that’s asking the burn tool to push itself beyond its own limits.
So the solution is to move those limits.
In effect, we’ll reduce the actual amount of change the burn tool needs to perform, by utilising another tool to bridge the gap.
So before you use the burn tool, do this.
Images>Adjustments>Shadow and Highlight.
Play with the sliders until you get a balance you like.
The idea behind this is to flatten the tonal range a bit, so that th edifferences between the highlights and shadows aren’t quite so dramatic. Don’t worry if your image takes a slightly washed out look at this stage. We’re only halfway through.
Now, gently use the burn tool to darken the highlights, and do the same with the dodge tool to bring the shadows up to meet the highlights.
Now you need to do something about that washed out look. So go to Images>Adjustments>Levels.
Now gradually and slowly bring up the black and grey sliders to bring life and depth back into the photo. Go carefully as it’s very easy to overcook the effect and ruin the photo.
And lastly, doing all this can have a funny effect on a photograph. It can dramatically increase the saturation, making the colours appear a lot more artificially vibrant than you would want them. This is easily fixed. Go to Images>Adjust>Hue & Saturation.
Now just gradually slide the saturation slider to the left until the image settles down again.
***IMPORTANT***
It’s vital that you realise the imprtance of going lightly with tweaks and changes.
Because you’re stacking a couple of techniques, the knock on effect of anything you do tends to get multiplied in the end result, so it’s best to set the strength or exposure of your tools quite low, and go as gently as possible. Make lots of small tweaks instead of one big tweak. That way you can use your history pallette to better effect.
Good luck.
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