wrote:
Grant – that will only work if the B&W image is in fact black&transparent. Unlike layer masks which use black and white shades to determine the visibility of the masked layer, using grouped layers like this for masking relies on the degree of opacity rather than the shade of grey. So first you need to get the image into degrees of opacity rather than shades of black and white. Richard Lynch’s Hidden Elements book has some very useful one click tools for this, but you can do it yourself without add-ons (I’ve just got to remember how!) OK
This is longwinded and there may well be an easier way of doing it! The first steps in this show how to add a black and white image to a layer mask in an adjustment (or any other layer – which may be what the original poster is asking for)
1.Create an adjustment layer (any sort – doesn’t matter)
2. Select and copy the image to be used as a mask. Deselect.
3. On the layers palette – hold down the option key (I guess alt for windows) and click on the mask icon of the adjustment layer. This will turn the image white – you are looking at the layer mask now on the screen
4.Then paste. The luminosity of your image is then the layer mask.
This is useful to get complex masks for adjustment layers such as levels HSB etc. If you have one of the downloadable add-ons then it’s all you need as they give you layer masks for any layer.
If you don’t then there are a few more steps to being able to use Grant’s method:
5. option/alt-click the layer mask icon again again (to return to the normal view)
6. command (control for windows)-click on the mask icon. This loads the mask as a selection – really useful if you want to use a saved selection as an alpha channel for those filters that can use them such as the lighting filter.
7. Create a new layer. With the selection still active fill with black. This will give a layer that has the darkest tones in the image to be used as a mask as black and the lighter tones as less and less opaque and can be used as Grant suggests by grouping a lyer to it. If you want to have it the other way about (ie the inverse of this mask) you need to inverse the selection first and then fill. To modify the mask thus created paint with opaque colour to show the image, erase to transparency to hide…..
I think that all works. Based on material by Jay Arraich and Richard Lynch. Any errors are mine….
Susan S.
I end up with a transparent window.
Ed